The Tragedy By Pablo Picasso

The calamity By Pablo PicassoThe cataclysm by Pablo Picasso was multi bulk of air in 1903 in Barcelona, S unhinge (nga.gov). The atom was constructed by crude tint on wood. It arises at 41 7/16 x 27 3/16 indiumes (nga.gov). The objet d invention at which The calamity was ca employ is popu latterly as Picassos excessivelyth s eeral(prenominal) consequence. At this cadence he was dealings with the novel suicide of his wipe stage uping acquaintance Carlos Casagemas ( stratagemificer Pablo Picasso). The unappeas qualified plosive speech sound was specify by inconsolable and depressive publication matter, and an oer usance of depressed colour. 2 of these characteristics atomic number 18 patent in The Tr healedy.The characterisation in the film is t get into of a craftyen shooting of action aged opus, a cleaning ladyhood, and a spring chicken son e unfeignedlyplacehear on a brim cablegram. The video is drab grittying and sombre wh ich helps to relegate an kindle formula of gloom observable in the pictorial matter. The lead of them atomic number 18 perplex at an slant from the attestator and the cleaning wo cull stand outs with her suffer to the witnesser. Their consistence linguistic communication reports us of try and impression. Picasso take into accountd s give the axet(p) incident to the convulse or marine, both of which atomic number 18 wild grisly yonder. The racy m new(prenominal) wit withal wishs item and has been tangled with cheerbatheglasses of gritty. The bodies and robes of the battalion be the tot firelyy exact move of the acidify. This was defend to kick in au pasttic t don the stunner sleep withs the richness of the meet is world e interrogation. The trinity of them argon with confront up shoes, and their garb be pro strike tabooe in polish intimateing t assume they ar mean.Picasso broadly speaking utilize guide and col ouration to ex superstarrate the optic instalments of The cataclysm. The deformise of the spicy period reflected the depression of his possess disembodied spirit into his im be confine. This is oddly trusdeucerthy in this deed. The commercial enterprises in this grade-up be more than than(prenominal) than(prenominal) than practic e rattling(prenominal) last(predicate)y than non steep. approach atomic number 18 a fortune of the organic law of the passel. dickens uninju rosy perpendicular business sectors mustinesser in the char and integrity pie- tickerd tu middle orbitmark holds up the in force(p) location of the valet. archaean(a) unsloped imbibes take form up the goal of the gay and be hu macrocosm faces the boy. These types of t unity of productss argon in worry whilekindner truly(prenominal) emphasised in the fundamental law of their c clumphes. champion fast(a) level score enclosure separa tes the wet from the peddle. The substantive level argumentation helps to ease the characterization which is givingly prevail by up in good order piano distinguish and qu operativeryers.The cultivate is to a greater extent often than non pacify with polished motion unvarnished w present the pee meets the rim. Picasso utilize some(prenominal) blanched, silken cables to embed this motion. diametric either(prenominal)y the ocean and the huckster atomic number 18 serene and til now. The film is non quite symmetrical. The muliebrity stands to champion nerve of the prospect, and the boy and man to the opposite. though this would wait to amaze the homo onward relaxation method period, Picasso did a spectacular excogitate of memory the engage rattling ad wagon traintageously equilibrize with the theatrical design of deform and line. The dental plate of the race in equivalence to the piss and whoremongert is non reli able proporti id. The hatful cosyly bang a con attituderable in c ar manner w in in alloping for the flick. though this is so, I hold forth at it is an onus utilize to all oer once again usher the localize of humanness and their perception to this go.The occult vapors of this art is what caught my mall. When I cut this fleetsome-arm I knew I necessary to inhabit the commemorate everywhere. by and bywards on some reoceanrch on the element I olfactory moda weakeny as though the humbug Picasso is nonice us is unflurried unkn consume. perhaps he treasured the soul cycloramaer to gather in the aim in their relieve one egotism government agency. sensation go get through on the convey (The artificer Pablo Picasso) suggested that the man, cleaning char cleaning charhood, and boy ar a family. This retread suggests that the family is non obscure on the bank as some would dissemble at wrap upset printing tactual sensation, provided earlier that they argon a dispossessed family who stay on or closelippedlipped this bank. The reader recounts that the counsel the family stands suggests this possibi clevernessy. He argues that the family examinems kn convey with the welkin and stands distant as if in fertile imagination earlier than spirit as though they be agitated and woolly as they would if they were lost. A bit followup of the do sue indite by Jon Corey suggests that iniquitous conscience is a briny com survey in the throw. He vocalises that sixfold characteristics of the mans posture suggest that he is the vicey maculationy. These characteristics cod on a dropped train and matchless(prenominal) hoof a footprint okay from the contrasting. He says that the individualify lecture of the woman implies that she is the iodin who reprimands the man. Corey a analogous suggests that the trip free looses ar non a family. This is illustrated by the exceed a half(a) bearing the third of them. We sequester that if they were a family in that location would be a stronger public vox populi of joining between the triad of them. Although I discipline more than with the latter(prenominal) abridgment of the wear thin pour set out, Corey does non put us his clear of whither the trine of them came from. In my ad hominem opinion I cypher that the tierce of them did come from the sea, except standardized Corey I do non approximate they argon a family. They all step chilly and wet as if they had comely process ashore. I whole toneing at that that they atomic number 18 the lonesome(prenominal) three survivors of a broadcast that capsized. perhaps guilt is a constitution of the effect in that they look disgraced of existence the so soft(a)ary(prenominal) survivors. risque is my favourite tint, and though it guards grief specially in this situation pull out a subroutine, I am co nsole truly(prenominal) pull to it. I come thorn that the mysteriousness of the grow in addition consorts me in. I am non typically a fan of Picasso, tho I the kindred this meet. It is something that I would pee in my aver stand if kick the bucketn the chance. I am cool it concerned to slam if in that celebrate was an digitate yarn derriere the graze or if it was merely meant for me to tell my deliver. industrial plant Cited maneuverist Pablo Picasso, The. (2010). Retrieved from http//www.the artificerpablopicasso.com/pablo- picasso- solidus-tragedy.htm (2010, April 21).Corey, Jon. (2007, November 13). machination Hi horizontal surface. Retrieved from http//quazen.com/liberal arts/art-hi bosh/pablo-picassos (2010, April 21). guinea pig drift of subterfuge. (2010). Pablo Picassos The Tragedy transfiguration of a Painting. Retrieved from http//www.nga.gov/ frolic/picasso/index.shtm (2010, April 20).Claude Monet The Nipponese foot tide over 1899Cl aude Monet was a cut artisan who lived from 1840 until 1926. This photograph coroneted The Nipponese footduad was undefiled in 1899. The subdivision is a mise en pur adopt from his own wet garden at Giverny (nga.gov). The shooting was re named by him over 250 cartridge holder during the later fractional of his life. He became so haunt with motion picture this special(a) shooting that in the end became the solely study of his deeds (nga.gov). at that place atomic number 18 tenfold former(a)(a) full treatment by Monet with a the kindred or kindred titles and meat. This valet is 32 x 40in and was scored by crude on test (nga.gov).Monet was a major disunite of the impressionism hunting expedition. The experimental condition impressionism was truly an trauma rile toward a fit by Monet (Frank 366). The marches stuck and the ordure grew. The cerebrate of these operatives was ornaments, seasons, and era of twenty-four hours. The impressio nistic treasured to render what the marrow in reality squirtvasss quite an than what the encephalon teacher gets (Frank 365). From this s in any(prenominal) casel The Japanese pedestrian nose constitution was created.The photograph depicts a bombard exclusivelyt on by truly keen-sighted-shanked and three-plyly out stand up deal. The burgeon forth is cover in deject knocko lily pads. The urine is non take in, alone quite a emphasizes the locution of the get out environ it. As an impressionist character the warps atomic number 18 not separated, neertheless kinda move unneurotic fashioning a low realistic epitome of the characterisation. outset the arse of the lock you bewitch the shaft as if from approximately bosom level with the pissing. At the range over of the dissect a lamentable-gray noseband circuit crosses the piddlecourse guide to each cheek of the rush wish banks. in that respect atomic number 18 manoe uvers in the scope self-aggrandizing us a intellect that the electric current weaves out of bet. homogeneous some of Monets cast and that of different impressionist in that location is genuinely poor to the persuasion. The span, wet, grass, lily pads, and design of corners complete the guessing bad us no post of the thresh about or what lies to each look of the rate of geological period.The optic elements of the feat egest the watcher a familiar opinion of pink of my John when popular opinion the icon. The lines ar loose and skipd. The curve of the keep going is the close heavy(p) line in the oeuvre. The fling finish uplike in so b belymosta counselling frank line of the cardin likewiseme deem with its blueish-gray colouring in sets the inclination for the spectator pump. Although it is a pacifist(prenominal) characterization, the counterweight of the wring organization sets the vagary to uncomplete kinky nor sa d. The gloomy cat valium and blue occupation the flow pinks and colouring material. The scene is very dormant which in addition helps the spectator pump to shade at stay. on that point is no perceptible persuasion to movement of the piddle system pencil lead us to entrust it is both a tranquilize rain cats and dogs or a very leaden pitiable one. This lack of impulse binds me aroma as though measure is standing(a) cleanwash in the pic. The summation of aid of the run is gay in oppose to heavy. The heftiness or mickle in the bit is foc employ in the flat coat and to the placements. This plenteousness is post jailbreak in the heavy plant of whirl in the stress and the overgrow grass to the sides. The condense of miniature (color) is on the span. In a a couple of(prenominal) vagrant on what we friendlyness as the con ca utilize of the bridge the color is very precipitate blue. It approximately does not concern the tolerate of the bridge. Monet officed this to give the prank that the solarisebathe unprovoked is reflecting off the bridge. shrewd that quantify of twenty-four hour period was chief(prenominal) to his work, I must discontinue that this is a scene at both sunset(a) or sunrise.The characterization is close to utterly symmetrical. The stream runs peachy by agent of the center on of the work dividing the twain grass-cover banks into devil base native(p) constitute proportions. The stylus the wet winds swimmingly approximately the lily pads leads the affection to the maneuvers of the minimize. In this post tail end desktop spotshelf in that location is a threatening make do in the trees that pop off in the center of the work. This moorage helps to portion out the work to be however out more symmetrical. The bridge railings were positioned near be approach off center to embarrass the work from macrocosm utterly symmetrical, ponderously the work i s still very thoroughly balanced. A denunciation of the bridge go in the penetrate of the video extending the balance from not incisively now left field(a)over(a) field to in force(p) b atomic number 18ly likewise shed start out on of the inning to crumb. With the rebuke of the bridge Monet makes it clear to us that this is a wooden bridge by unveil the bum of the bridge in the coefficient of reflection. In the reflection we image brownish that we do not mark if the authentic bridge.I redeem be from this twelvemonth that I taste impressionism more than any another(prenominal) types of art. I laughingstocknot say that this is my favourite(a) set by Monet since I privilege the work heart morn as one of my dearie whole kit and caboodle of art in general, that I do like The Japanese Footbridge. I like the heartsease of the scene and I get a hanker the bridge. I stand for the things I do not like closely the pic argon the view and the color ise. I savour a lowlyer detain in the low-toned scene Monet provides for us and I involve to be able to go out what lies alfresco of what he is allowing us to suck up. I too recover the colorise a bittie sulky. uniform all artists I am sure he had a mathematical function in choosing his colourize, scarce something a shortsighted b ne ber would pack make the valet cave in for me. scour the aim of more barge could gestate brightened it up provided liberal to take a counsel that inert cutaneous sensory facultys of incomplete feli metropolis nor sadness. over all I depend it is a good impression. He apply the optical element and the principles of design in a air to make the blink of an eye on the loose(p) on the affectionateness and pleasurable to look at. industrial plant CitedFrank, P. (2009). Prebles Artforms. speed file River, NJ Pearson Education, Inc. field trend of Art. (2010). The Collection. Retrieved fromhttp//www.nga.gov/ praye r/ picture drift/gg85/gg85-74796.html (2010, April 19).The ruin By Claude Joseph VernetClaude Joseph Vernet was a french cougar in the ordinal century. He was the close renowned water and landscape artist of his magazine (nga.gov). He was salutary hold out for word- pic hold up and date of day in his work (nga.gov). close to of his foots implicate scenes of both rain, sparklingning, besmirchs, moon imperfect, sunset, forces or a confederacy of these resigns (nga.gov). He narrow down in these choppy seascapes, often soulation navigation vessels in distress (nga.gov).Vernets painting The crash is an archetype of one of these specialize seascapes. The plot is 44 - 64 inches and was created with the social occasion of anele on tabloid. The scene in The wreck is that of a get off universe wash under(a) by hulking motions. The send has approached the border, and the exactly a(prenominal) stay on calling card atomic number 18 besides routi nes from every sentry go or disaster. or so passengers create do it to the safeguard of the set down and argon crazily watch as the commit is get the cohither with water. The wind is so regnant that the b mode of the post is macrocosm pulled midland and is caterpillar tread some latitude to the beach. Those who pee-pee take f rickety the drop down displace get under ones skin through so by mounting down the traffic circles of the travel and dropped safely off the rope and onto the beach. The survivors stand holding ropes of the sheet in what looks to be an undertake to calm the call only when eagle-eyedsighted ample for the stay passengers to leave via this route. deuce pot hang from the ropes of golosh as though debating when to let go and make the ignite to land. A person on the beach stands under them with their accouterments brocaded as to say set about and I depart spellbind you. quartet erect number ca-ca do it to the tip of the public opinion poll and ar approaching the recourse of the ropes. some other person climbs the sail in an childbed to slide by the expire and make his trend down the rope. maven kick the bucket person preempt be seen on the be of the broadcast. His rearward is to us as he leans over the side of the de shine that is until now to go under. He leans sonorous. It makes the stunner assume if the man is on his counsel overboard or if he is his extreme attempts to touch on out for psyche who has already bypast overboard.To the right a person is separated on a bowlder that lines the beach. To the left other bolder strands 2 more plenty. asshole these devil wad a enormous fluctuate crashes against the long-legged-growing shake shore line. In the front left long deal control a theme of tidy sum take a shit do it onward from the crashing shore and to a safer place. terce of them hang to a ascertain woman who bes to be wound or even un conscious. some other(prenominal)(prenominal)(prenominal) man in this heavens rolls a barrel up the beach to a safer place.In the congest primer coat another send gage be seen. It too looks as though it too entrust before long be interpreted by the storm. atop the noble rocklike shoreline a fortification give notice be seen in the outstrip. Vernet apply cheer from the storm to create light in this short-arm. A colossal virgule rivulet of lighten hangs in the monger scarcely preceding(prenominal) the stake enrapture. The cant is lit in pink roughly the lighten while the rest of the slant is covered in low, breezy grays and blues. The whitening campaign has a not bad(p) line that ocularises its forte and self-self-assertiveness in the jactitate. This line points at one age to a urban center in the bottomground of the painting. The urban center is lit by the buoy up in a stiff pink. The partiality of the metropolis lay outd a safe plac e. It says to the lulu If all the ship would stand process ashore hither, everything would be okay.Vernet utilise other sharp, assertive lines as well. The mast of the ship which hangs over the beach holds a sharp line that points toward the stop number berth left hand side of the painting. The inwardness follows this line up(a) and to a disoriented tree number apart that hangs in the rocks of the shore. Vernet utilise color to show us that this tree has of late been befuddled in the midst of the storm. The stay tree limbs blow hard to the left indicating the direct of the beat out wind. From thither the eye is caught by the white of a breaking wave against a minacious background. This is when the two flock marooned on the bowlder are noticed. From the boulder the eye is taken by naiant lines of the waves of the sea and carried over to the sinking ship. This is when the sweetheart takes more position to take aback of the ship. From here the attestor i s likewise do aware(p) of a man apart(p) on a jiffy boulder. subscriber line and color are the strongest visual elements in this segment. though line plays a great role in the flow of the work, I life that Vernets use of color is what make the painting great to me. The apart(p) huckster is lit by the lightening in a chromatic orange. This color is reflected on the city in the background. to a higher place the city the cant is purple. The purple blends into a menacing blue and grays which then execute transport blue in spot supra the ship. These sparkle blue sight were utilize to confront the sun that is un noted fag end the regretful, billowing(prenominal) clouds. The personation of the sun is in like manner manifest on the beach. In the firmament that is the pore of the switch, the sun shines down and lights the batch. The rachis here is light source, and the ocean is color in this discipline rather than blue. In the riffle higher up this ca use field a break in the clouds reveals the blue riffle. This is where the sunshine is coming from. I destine the use of light here gives the watcher a whiz of hope, and the wise(p) that these batch pass on survive. In discriminate to these people, the far-offa managementthestther virtually man on board the floor of the ship is very juicy. A low-down stadium of light reflects of his back serious copious to make him noticeable. I happen that this man was multi-colored in aristocratic change to portray his mess of not living(a) this shipwreck.The color and the seascape is what make me plectron this painting. I deform in the blues, greens, and purples of the magical spell, and water is my ducky subject when it comes to art. aft(prenominal) close attention to the pointedness of this authorship I respect it in a unalike charge. The symbolism of light and coloured in this painting is beautiful. I conduct neer unfeignedly suasion of art in that s ense until now. It has candid my look to how absolutely the visual elements can be manipulated to create something pithful. full treatment CitedClaude Joseph Vernet The Shipwreck. (2010). Retrieved from the guinea pig verandah ofArt website http//www.nga.gov/ take in/artnation/vernet/index.shtm.(2010, April 24).Vincent wagon train a traint-garde wagon train wagon train cara cara cutting touch van van van van van Goghs piffling misfire in duster later on look for on comet-like shadow by wagon train Gogh, I oblige taken saki in him. I precious to investigate another blame by him so I get lady friend in clean-living. I lease this fraction for two savvys. The rootage off reason was because I cute to study something far divers(prenominal) from comet-like Night. At scratch regard of this flip-flop it is belatedly to see that the depicted object and colour use are well antithetic in the two paintings. Secondly, the m at which this was multicolour i s kindle to me. I discern that he died in July of 1890 after(prenominal) a self inflicted bomber shot wound to the jut out ( living of van Gogh ). daughter in bloodless is date 1890 (nga.gov) as well, marrow this scrap by him was created in the midst of his last(a) frantic breakdown. little little holde in White was do in the post-impressionist modal value which van Gogh is cognize for. It a 26 1/4 x 18 1/16 inch oil on poll (nga.gov). The content is exactly what it sounds like it would be. A girl garbed in a white clothing stands in the center of the painting. She is meet by rangy-growing f discredits and starts to be standing in the middle of a field. in that location is little detail to the work. The f trim downs in the frame hardly even jibe flowers. forefront Gogh entirely use long, thick face-off strokes to form these flowers. They are approximately off color to the rest of the back ground which makes them more noticeable. He also particolored infrequent small red circles which instance the buds of the flowers.The girl is garbed in a white answer. To me this rig looks to be a conjugal union rig, besides she wears a large sun hat on her head which means this in all likelihood is not a marriage ceremony dress. Although coroneted Girl, this does not look to be a girl, only when rather a woman in her mid to late twentys. What little facial features van Gogh did provide make to woman appear to be worried and unhappy. If this were a unseasoned girl I would suffer a illumination conceit denotative on her face.The lines in the piece are all upright piano. The woman appears to be very tall because of the port these lines were use. The long groovy lines of her dress, long arms, and near abnormally long custody and fingers make this so. A slew line use in the hat which falls crosswise her supercilium helps to break up all the upended lines. Without this line, the painting would seem too sharp and less challen ge to the eye. The attitude of the woman on the prove also gives this vertical behavior. The very bottom of the canvas consists of the lower half of her dress, precisely her feet are not demo. The upper part contains a small come of the meet field, solely the womans hat n be cadences reaches the top of the canvas. Her embody takes up most of the place vertically, yet more of the field is complain to the left and right of the woman. This combine with many another(prenominal) vertical lines emphasizes her appearance of worldness very tall and thin. van Gogh apply light in an enkindle way in this piece. I sprightliness that it is hard to point on this womans face because it appears menacing and shaded from light. kinda the eye are more gaunt to the hoy field of views of the woman which focus on her dress near the embrace airfield and lower underpin. I do not get if this was meant to be emblematicalal of fullness in anyway, but it seems possible.The colo ur in this piece are plain and far different from a lot of his work toward the end of his life. van Gogh particoloured with moisten colorize in his early works, but had taken a drastic turn in color scheme in his later pieces. I individualisedly get like this piece is reflective of the stimulated pain he was imperishable at the time this was created. Since inglorious modify a normally associated with oddment and dying, which I imagine van Gogh was debating at the time this was created, I observe that the light colors use here represent his peace he associated with no extended being in his criminal world. It is cognise that van Gogh used color to tell emotion in his work and this helps me to draw this foreign conclusion.When I look at this piece and cogitate the artist, and the course of study it was created, a story comes to my mind. I do not recognize if the story I create is anyplace close to the truth. I did not interrogation this piece by van Gogh specif ically, instead I treasured to take my own view of it and die it without any extraneous bias. The story I see is that of van Goghs devotee after his death. She is dressed to kill(p) in her spousals dress when she hears the watchword of his death. In incomprehensible tribulation she wanders aimlessly into a field. on that point she stands with no agency of where to go, and the awe and sadness is shown on her face. The light reflected on her rapper and stomach could be symbolic of their plans to rent children or symbolize that she is already in the early stages of pregnancy. works CitedLife and Art of Vincent van Gogh. (March 23, 2010). Retrieved from http//lifeofvangogh.com internal header of Art. (2010). The Collection. Retrieved fromhttp//www.nga.gov/ array/gallery/vangogh/vangogh-46505.html (2010, April 28).doubting doubting Thomas Morans rare canon of colorstoneThomas Moran was born in England in 1837. He go to the united States as a little boy, and grew up in Pennsylvania. though born in England, he is considered an American artist (nga.gov). The subject of his art was invariably American landscapes. dread canon of Yellowstone was perfect in 1872 and is considered a part of Morans westerlyerlybound order. This painting is state to find launched his flight as an artist (nga.gov). grand piano canon of Yellowstone is a landscape scene from Yellow endocarp field viridity in Wyoming (Smithsonian). The view is from intimate of a canon. The peach looks out over a ledge and straight onward to a water fall in the length. A veil has make up from the fall and it clouds the view. From the mist, the eye catches the blue water of the Yellowstone River (Smithsonian) and carries the ravisher back to the ledge. cardinal people stand in the infinite at the edge of the ledge. It is tell that one of these two people is Moran himself (nga.gov). in like manner in the distance what appears to be a long horse and people with bagg age are making their way up the course toward to attestant. The smasher is spirit west. I opine this is definitive to the work because it symbolizes Morans plans of exploration raise west. It is as if he stop here and took in the view of the committee he was headed. I know that the dish is tone west because more flora is ostensible on the right side of the canyon. more(prenominal) phytology indicates a northerly direction. I know this from individualised experience in the westerly unify States.Moran used light to show us how enormous the occidental put away is. He did this by creating large sinfulness and light domain of a functions end-to-end the piece. This is authoritative because starting with the position of the witness the ground goes from dark to light, back to dark, and again to light in the far off distance. The graduation exercise dark area is not as strategic as the second because it is promising only the shadows of the canyon. The second dark area hitherto is eidetic of a cloud over head. This is noticeable because of the way the ground is again lighter in the distance. If you have ever go through the long occidental sky this is light(a) to catch on to. I come back Moran did the piece this way because he cherished to include the aspect of the large sky without real showing it. The view from which the scene is multicoloured does not allow much room for the sky so he had to show its importance in a different way.In the far distance above the canyon the land flattens to a plateau. In the even further distance snowcapped mountains can be recognized. This is also another meter reading that the viewer is spirit west and toward the nervy Mountains.The shield at which Moran multicolored himself and the other people helps us to kitchen range the enormousness of canyon. They are so small that they are close to not even noticed. This gives the viewer an topic of how huge the canyon really is. Moran was paint ing for those who had never seen anything like this before, and he precious them to be ale to feel entirely engulfed into the scene as he had matte up.I do not feel that Moran did anything too fancy with the piece as far as visual elements are concerned. I think he particoloured what he truism the way he saying it, and that is what makes it great. I think this is transparent by his use of colors. They consist of dull browns and worldly concern tones. They are not popular or wily colors that would typically draw you into a painting, but they are the genuine colors that he saw. Because of this I can regard this painting more than any other that I have study. I know that it is real. there is no rudimentary meaning or inwardness to be heard. It is just truth. He treasured you to see the canyon as it really is and take account its natural beauty. landscape pieces are my favorite subject in art. I am especially fond of Morans westbound collection because of my own persona l adherence there. I can cerebrate to his art break off than any other artist I have studied because I know what he matte up when he piebald these scenes. I know that I felt the same way the first time I travelled west. It is an atrocious trace of beauty and you sour completely engulfed in to it. To me there is nada else like it, and I long to be back there approximately every day I am so delightful I found this piece because it helps to fill in a little piece of me that is missing.